View high resolution
documentation of thesis oral presentation of the Duilt.
More to come…
2011-2012(may) - thesis documentation / research blog
Now - Post school formulation blog
Now - Post school formulation blog
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Remediation →
Digital visual media can best be understood through the ways in which they honor, rival, and revise linear-perspective painting, photography, film, television, and print. No medium today, and certainly no single media event, seems to do its cultural work in isolation from other media, any more than it works in isolation from other social and economic forces.
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was trying to find something and stumbled on this. video is from 10 months ago.
3 students at Stanford demonstrate their haptic controller which spatialises sound. the controller uses 4 faders which controls sounds in space, and these sounds interact within a physics engine. made in Pd!
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culture machine →
great collection of writing on new media/technology & culture
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Email and Epistolary technologies: Presence, Intimacy, Disembodiment →
presence is always mediated by both physical and conceptual tools that belong to a given culture: “physical” presence in an environment is in principle no more “real” or more true than telepresence or immersion in a simulated virtual environment. (Mantovani and Riva, 1999: 547)
instead:
the past several decades have also produced a substantial body of work that explores the ways that global communication networks reconfigure our experience of time and space.
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that which new media studies will become →
The question becomes how we can think this orientation towards the future without becoming mired in either a predictive structure or the progression of a technological determinism where we simply react to “new” (media) technologies.
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Machinology →
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Books:
* Creative Evolution: Natural Selection and the Urge to Remix, edited by Mark Amerika (University of Colorado at Boulder)
* Digitize Me, Visualize Me, Search Me: Open Science and its Discontents, edited by Gary Hall (Coventry University)
* Energy Connections: Living Forces in Creative Inter/Intra-Action, edited by Manuela Rossini (td-net for Transdisciplinary Research, Switzerland)
* Medianatures: The Materiality of Information Technology and Electronic Waste, edited by Jussi Parikka (Winchester School of Art, University of Southampton)
* Neurofutures, edited by Timothy Lenoir (Duke University)
* Partial Life, edited by Oron Catts and Ionat Zurr (SymbioticA, University of Western Australia)
* Symbiosis, edited by Janneke Adema and Pete Woodbridge (Coventry University)
* Another Technoscience is Possible: Agricultural Lessons for the Posthumanities, edited by Gabriela Mendez Cota (Goldsmiths, University of London)
* The In/visible, edited by Clare Birchall (University of Kent)
* The Life of Air: Dwelling, Communicating, Manipulating, edited by Monika Bakke (University of Poznan)
* The Mediations of Consciousness, edited by Alberto López Cuenca (Universidad de las Américas, Puebla) -
"The viewer must personally experience the
happening, performance or installation, the awareness of the system’s functioning that is produced, and his or her own response to
that. The viewer can contemplate the phenomenon of interactivity, but not what happens during an interaction. Onlookers see the interaction as a performance, but the interacting participants experience something that exceeds spectacle, because it is not representational and not interpretive. It is lived experience."”From Image to Interaction,” Arjen Mulder
Theme: Linear by Peter Vidani
